cafe de flore
December 5, 2011 § 1 Comment
“everything seemed dead on perfect.
Which might seem a bit funny to say when you hear the synopsis of the plot: High flying DJ with a great life bemoans leaving his beautiful wife for an even more beautiful woman while a mother struggles to take care of her Down’s Syndrome child in a parallel story from 40 years before. For awhile it seems like the only two things that connect the stories is a song by the name of Cafe de Flore
The song, though terribly catchy, isn’t necessarily notable, but it’s what it signifies to both the DJ (Antoine) and the young Down’s Syndrome boy that matters. For each, it’s a source of happiness and restores their life force. For Antoine, it reminds him specifically of the moment when he met his second soul mate and the silly song has now become a central part of his life.
The film absolutely takes off for the stratosphere around this time as Vallee starts to crosscut between the different stories with an almost wild abandon at times. One of the movie’s best sequences uses a Sigur Ros song (Svefn-G-Englar)
In a montage of scenes that pushes the themes of the film forward and creates further tension, Vallee creates a breathless sprint that washes over the viewer. It doesn’t matter if you don’t pick up every detail – the feelings and intent come across easily as the story lines hurtle towards a head-on meeting and the emotional attachments to these flawed but interesting people grow and help bring about a lovely resolution.”
[…] very cafe de flore […]